I know what Facebook is!

I have been try­ing years now to fig­ure out why I hate Face­book so much. I mean, the truly infor­ma­tive bits I get from friends far away are nice rea­sons to linger on, but for the most part, I would love to ditch the whole thing in favor of a bit of Twit­ter, email and my blog. Still, I’d not been able to come up with an appro­pri­ate metaphor until I saw this hal­loween cos­tume idea… Now I am even more cer­tain that I will be spend­ing less time as part of the cycle of ingest-and-pass-along. I have things I want to do with my life, and while the cute­ness is occa­sion­ally a balm, and the calls to action are often heed-worthy, most of the time, I could obtain the same cute­ness from my own dogs and birds, and the socio-political news directly from the sources I have deemed trust­wor­thy. I am weak, and the moment I open the ‘book, I end up drown­ing in the mire, allow­ing myself to be churned to dizzy hope­less­ness at the base of the Face­book Wall Falls. I don’t think it helps my san­ity. Any­way, I am not gone yet, but I have unsewn my lips. It’s a start.

Two smart funny men

I had won­dered about a loss of col­lec­tive won­der­ing in the back issues. Pete Holmes says it bet­ter than I ever could, start­ing at around the four minute mark:

Hav­ing Google on your phone is like hav­ing a drunk know-it-all in your pocket. There’s no time for mys­tery or won­der. You’re just like, “how do they make glass?” “Blarghe­largle­bahhrahhh!!!” And you know. But the time between not know­ing and know­ing is so brief that know­ing feels exactly like not know­ing, so life is meaningless.

Equally, though more prac­tially, thought-provoking are the results of Louis C.K.‘s exper­i­ment in bypass­ing the cor­po­rate middle-man. Another foray into media self-publishing proves again that the con­sumer, given a chance, is hon­est and will pay for a prod­uct. The media con­glom­er­ates would have artists believe that we are all out to steal their art and their earn­ings, but more and more of them are under­stand­ing that the real thieves are the enter­tain­ment houses them­selves. Occupy entertainment?